![]() It aims to develop an original practice-led methodology that represents a synthesis of technology and the ‘social interstice’ in contemporary cultural forms. ![]() The project creates multiple, interactive Machinima art works that explore and expand ideas about authorial space and human agency. This practice-led project aims to creatively and critically research this gap in knowledge and practice in order to develop new models for thinking about the political possibilities of digital creative forms. ![]() Rancière’s idea of dissensus will be reimagined in my digital art practice in light of art critic Nicolas Bourriaud’s concept of the ‘social interstice’, a site where technology and contemporary art can intersect to form transformative interstitial space in the digital media sphere. The possibilities for contemporary art to enact this have been recently addressed through relational and socially engaged practices, but these have overlooked the potential of hybrid digital forms like Machinima to explore the political potential of dissensus. Dissensus creatively reimagines the possibilities for subjectivisation outside of discipline specific entities and socio-political boundaries. ![]() The sensible is his concept of the common spaces and sites we occupy. Jacques Rancière’s concept of dissensus can be understood as an activity or process that modifies or reorders the consensual operations of social, cultural, and economic orders. ![]()
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